Music fans dating
In the case of Mix’d, you select your favourite DJs and artists to help connect with other like-minded music fans.
Like Spotify, it connects to Facebook, allowing the app to scan your upcoming events for potential matches too.
However, political corruption and rampant music piracy in Nigeria has hampered the industry's growth.
Following World War II, Nigerian music started to take on new instruments and techniques, including electric instruments imported from the United States and Europe.
Mbarga used English lyrics in a style that he dubbed panko, which incorporated "sophisticated rumba guitar-phrasing into the highlife idiom".
After the civil war in the 1960s, Igbo musicians were forced out of Lagos and returned to their homeland.
The result was that highlife ceased to be a major part of mainstream Nigerian music, and was thought of as being something purely associated with the Igbos of the east.
Meanwhile, highlife had been slowly gaining in popularity among the Igbo people, and their unique style soon found a national audience.During the same period, other highlife performers were reaching their peak.These included Rocafil Jazz and Prince Nico Mbarga, whose "Sweet Mother" was a pan-African hit that sold more than 13 million copies, more than any other African single of any kind.Although popular styles such as highlife and jùjú were at the top of the Nigerian charts in the '60s, traditional music remained widespread. Dairo Following World War II, Tunde Nightingale's s'o wa mbe style made him one of the first jùjú stars, and he introduced more Westernised pop influences to the genre.Traditional stars included the Hausa Dan Maraya, who was so well known that he was brought to the battlefield during the 1967 Nigerian Civil War to lift the morale of the federal troops. During the 1950s, recording technology grew more advanced, and the gangan talking drum, electric guitar and accordion were incorporated into jùjú.