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Special guests on the recording include Cuban percussionist Pedro Martinez, American guitarist Marvin Sewell, Cuban saxophonist Yosvany Terry, and maestro Eladio “Don Pancho” Terry, patriarch of the Terry family, on chekere. And, reflecting the influence of his extended residency in Barcelona, Omar showcases flamenco vocalist José “El Salao” Martín on several tracks, including a version of Cuban trova composer Sindo Garay’s Ilé offers contemporary interpretations of some of the classic Cuban musical styles the world has come to admire. The featured horn players are Joo Kraus on trumpet (Germany), Leandro Saint-Hill on alto saxophone and flute (Cuba), and Peter Apfelbaum on tenor saxophone (U. Special guests on the project include Lionel Loueke on guitars (Benin), Marvin Sewell on guitars (U. A.), Pedro Martinez on Afro-Cuban percussion (Cuba), John Santos on percussion (U. A.), and Gustavo Ovalles on Afro-Venezuelan percussion (Venezuela). Of particular interest is a set of six , in the West African spiritual practice of Ifá and its various expressions throughout the African Diaspora, are the spirits of those whohave gone before us, both in our immediate families and those who serve as our Spirit guides. Paolo Fresu is a prolific artist, whose touring and recording history includes work with Carla Bley, Gerry Mulligan, Dave Holland, John Zorn and Ralph Towner, to mention just a very few. We have a sense of these accomplished artists ‘dancing’ together, creating an expressive and poetic link between Cuba and the Mediterranean, offering us a wide range of subtle and engaging musical colors. Rhythmically, the feeling of the CD is unhurried and meditative. The NDR Bigband is an ensemble of accomplished soloists whose talents have been highlighted through the work of such noted arrangers as Steve Gray, Colin Towns, and Michael Gibbs. And "Night Of The Four Songs" draws from the sacred music tradition of congregational singing, havingpassed through North Carolina many decades ago. With “Promise”, Omar Sosa continues his exploration of the African roots of traditional musics throughout the Diaspora, using jazz harmonies and the latest technology. In this collection of ballads, loosely defined, taken from four of his early recordings, we are treated to a listening experience of beautiful melody and rich harmony, full of romanticism and grace - all with a Latin jazz heart.
Listeners will enjoy a mix of ballads and sophisticated mid and up tempo arrangements. From the liner notes, by Joan Cararach, artistic director of the Barcelona Jazz Festival: Harmony, peace, respect, freedom. He also serves as artistic director for the Berchidda Festival (“Time In Jazz”) and the Nuoro Jazz Seminars. Fresu, who is from Sardinia, recently celebrated his 50th birthday by producing a series of 50 concerts in Sardinia on 50 consecutive days during the summer of 2011, featuring musicians he has collaborated with over the years. Sensations of floating and suspension of time prevail. Over the years, the NDR Bigband’s artistic collaborations have comprised a virtual “Who’s Who” of world jazz: including Chet Baker, Paquito D’Rivera, Pee Wee Ellis, Joe Gallardo, Lionel Hampton, Dave Holland, Abdullah Ibrahim, Pat Metheny, Joe Pass, Maria Schneider, Wayne Shorter, Oscar Brown, Jr., Al Jarreau, and Bobby Mc Ferrin. These songs are linked by Sosa's instrumental odysseys, tales of ancestry: the dreams and realities of passage within and beyond Africa; meditations on the solstice and the natural order, the longest days, the seasons of life; reverence for Eleggua, the deity who determines fate and tests the will of man. Sosa is guided by the North Stars of spirituality, ritual, and the human condition. His new Afreecanos Quartet features Cuban drummer Julio Barreto, Mozambican electric bassist Childo Tomas, and Senegalese vocalist Mola Sylla. (OTA1005) , are taken "Para Ella", with Sheldon Brown on tenor saxophone, "Antes De Ir Va Esto", featuring John Calloway on flute and Orestes Vilato on timbal, and "Tienes Un Solo", featuring the divine Anastacia Newkirk on vocals.
pays tribute to the majestic figures of Afro-Cuban big-band jazz—Frank “Machito” Grillo, Chico O’Farrill, Cachao, Mario Bauzá, Dizzy Gillespie, and Chano Pozo—while also drawing inspiration from Cuban luminaries such as Armando de Sequeira Romeu, Peruchín, Pancho Quinto, Lázaro Ros, Lili Martínez, Benny Moré, Arsenio Rodríguez, Rubén González, Frank Emilio Flynn, Bebo Valdés, and a succeeding generation of artists including Chucho Valdés, Paquito D’Rivera, and the revolutionary This project grew from Omar’s conversation some years ago with Hamburg producer Stefan Gerdes of NDR, who facilitated the connection with Morelenbaum, a celebrated arranger known for his trailblazing work with Antonio Carlos Jobim, Caetano Veloso, Gilberto Gil, Gal Costa, Cesária Evora, and Mariza, among many others.
The NDR Bigband, under principal conductor and arranger Jörg Achim Keller, is an ensemble of consummate soloists whose talents have been highlighted through the work of such noted arrangers as Michael Gibbs, Steve Gray, and Colin Towns.
During the residency period, Omar used the state-of-the art facilities at EMPAC, including a magnificent Yamaha CFIII concert grand piano, to record solo piano. And a passionate desperation in the finale, as in records conceived the old way, like a narrative, followed by the final rest, grace in a religious sense, like an overflowing energy which at the end of the journey becomes pure togetherness. This live recording anticipates the release in October 2007 of Omar Sosa’s next studio album, entitled “Afreecanos”. Julio Barreto toured and recorded with Gonzalo Rubalcaba from 1991 to 1998 in Trio and Quartet, and is featured on the Rubalcaba recordings “Suite 4 y20”, “Rapsodia”, “Diz”, “Imagine” and “Antiguo”. Barreto has also toured and recorded with Roy Hargrove, David Sanchez, Chucho Valdes, Steve Coleman, Ravi Coltrane, Chico Freeman, José Luis Quintana, and Miguel “Anga” Diaz. In addition to the electric bass, Childo Tomas sings in his native language Mozambican language of Ronga, and plays m’bira. The dance-jazz vibe of these remixes features Omar Sosa piano and marimba riffs, funky clarinet riffs, as well as new vocal and flute elements... Omar Sosa searches out new sounds for a music that is simultaneously his own, and part of an Afro-Cuban culture. Muevete en D () Recorded live at Radio Bremen, Germany, in November 2003, Aleatoric EFX is Omar Sosa’s fourth solo piano recording.
The resulting improvisations comprise Omar's sixth solo piano CD, , a very personal, intimate set of 16 impromptus - relaxed, introspective, infused with calm and tranquility. Mola Sylla sings in his native language of Wolof, and plays m’bira and xalam. all enhanced by the cutting edge approaches of our guest remixers 1. Mulatos is a fitting description for the kind of approach Omar is adopting - a mix of Cuban music that dances with rhythmic inspirations of Indian tabla, jazz drums, and studio mixing. The new CD combines Omar’s free, improvisatory approach to the piano, with his use of a number of electronic effects, also directed live from the piano during the performance.
With Live à FIP, Omar offers his first live, ensemble CD, featuring a Quintet comprised of bass, drums, percussion and saxophone. The album Mulatos features the highly individual talents of Dhafer Youssef (oud), Steve Argüelles (drums, electronics), Dieter Ilg (double bass), Philippe Foch (tabla), and Renaud Pion (clarinets). The term aleatoric refers to the chance or random ways in which the subtle electronic elements mesh with the performance both inside the piano and on the keyboard.A noteworthy dimension is Omar’s use of the Fender Rhodes electric piano in equal measure with the acoustic grand piano., was created at EMPAC, the Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute in Troy, NY, in February 2012. That’s why we asked two artists who are familiar with our festival to revisit from another perspective, following the artistic principles evoked by Bill Evans in his notes to the record signed by Davis: be yourself, be spontaneous, give all you have to give, everything you learned from those who came before and those you are sharing the road with. Which leads us to recognize the indomitable life force that faces unspeakable horrors yet somehow prevails a beacon penetrating the fog of oppression, its promise flooding across oceans, continents, centuries. Through a work of art or, less frequently, a presidential election. This is where Sosa pitches his musical camp and works his magic” (January 2007). Iyawo´n Bass () Following the success of Cuban pianist Omar Sosa's recent recording "Mulatos" (OTA1015), which received a 2006 GRAMMY nomination for Best Latin Jazz Album, and a 2006 BBC Radio 3 Award for World Music nomination, and which features the artistry of legendary Cuban reedman Paquito D'Rivera, Ot· Records is pleased to announce the release of a remix album of material from the award-winning recording. For those Omar Sosa fans who may have missed some of his early ensemble recordings and for those who have enjoyed the quieter, more introspective dimensions of this remarkable artist, How to be true to a music tradition and be part of the world at large?Omar was invited to an artist residency at EMPAC with Zimbabwean dancer / choreographer Nora Chipaumire to compose music for Nora's dance-theater piece, . We selected Chano Domínguez, from Andalucía, who contributed to find nothing else but the paradoxes of a never-ending search: love and indifference; exile and emigration; being here and now with the lessons of those who illuminated us; restless energy and deliberate contemplation; the uncanny twists and turns of our souls and the shades of our lives; the constant strain between grief and joy, contradictory and supplementary at the same time. The interludes, almost sacred invocations to the genius of Bill Evans. Recorded in front of a live audience at the NDR radio studios in Hamburg, Germany, “Promise” features the above Quartet, plus noted Italian trumpet player Paolo Fresu, and Cuban flute player Leandro Saint-Hill. Entitled "Mulatos Remix", the album features fresh and funky contributions by Paris-based drummer/producer, Doctor L; Brooklyn-based producer/remixer, DJ Spinna; live Drum & Bass pioneer/drummer, Marque Gilmore; Paris-based drummer/producer, Steve Arg¸elles (who produced "Mulatos" and whose mixes include some out-takes from the original "Mulatos" sessions); and new-to-the Paris scene, DJ basephunk. To be a modern artist (and consequently a traveler), without dismissing your roots?In connection with a concert date in Shanghai in July 2014, Omar arranged a side trip to Beijing to record Wu Tong’s traditional flute overdubs.Tokyo-born, Paris-based koto player Mieko Miyazaki came to Omar’s attention via her recorded work with French jazz guitarist Nguyên Lê.